奖获得者

S. MICHAEL EIGEN ’87 PRIZE IN ART HISTORY

由博士创立. & 夫人. Stuart Eigen and by the College on the recommendation of the Department of 艺术历史 to an outstanding 艺术历史 major. Awarded to a senior whose academic and co-curricular record demonstrates an exceptionally varied range of notable achievements related to the major.

收件人:

2024莉拉·桑德斯
2023 Eve K. Kreshtool
2022    Elizabeth Anne Cumbo
2021    Julia Katharine Lawless
2020蒋玉文
2019 Monica D. 安德鲁斯
2018海伦娜·梅尔
2017奥利维亚·泰森
2016    Bailey Threatt
2015    Allison Jeanette Green
2014莱拉·杜拉尼
2013年希拉里·克奈特
2012    Bryn Schockmel
2011年希拉里·里德
2010    Frances Gubler
2009    Heather Gilchrist
2008    Rebecca Perry, Meredith Mowder
2007年莎拉·明茨
2006年，凯特琳·欣兹
2005年黛安·伍丁
2004    Rebecca Pristoop
2003    Stephanie Green
2002年莎拉·鲁宾
2001年，安娜·派珀拉托
2000    Hillary Shugrue
1999 Abigail Guay
1998    Elizabeth Clemen
1997年塔拉·克林克
1996    Jonathan Kauffman

WHITMAN FAMILY PRIZE IN ART HISTORY

Awarded by the Department of 艺术历史 to a student who completes an outstanding project in an 艺术历史 course. Nominees may be from any class year and do not need to be 艺术历史 majors. The deadline for project submission is in late March or 4月初. Completed projects are preferable; those still in progress should be 接近最终形式. Winners are encouraged to present their projects at Academic Festival.

收件人:

2024年:索菲亚·梅塔
              "At Home and in the Museum: The Journeys of Two Patara"

2023:萨沙·M. Fishstein
            "Resisting the Wheels of Modernity?
             A Critical Study of Mingei Theory From the 1920s to the 2020s"

2022:   Julia Helen Smith
             "The Ethics of Altering Vintage and Antique Items"

2021年:周通汉
            “熊猫不明说的”

2020:   Alicia Sandoval Vadillo
             “Re-Thinking Ana Mendieta: 
             Essentialism, Liminality, and Performance”

2019:   No prize awarded 

2018年:莱拉·摩根
            "The Pregnant, Birthing, and Postpartum Body 
            in Modern and Contemporary Art"

2017:   No prize awarded.

2016年:玛丽·克利里
           “Fabricating an Image: How Mary Stuart, Isabella d’Este, and Other
            Women of the Renaissance Used Dress to Assert Agency”

2015:格蕾丝·阿雷斯基
             "A Fate Worse than Death: Dynamics of Disclosure in the
             Art of the AIDS Crisis" 

2014:   Colleen Hochberger
             “艺术、法律与权力”

2013:   Kathryn Moynihan
             "An Introductory Unit to Lakota Beadwork: Usage,
             Importance, and Changing Perceptions Over the Past
             《火博体育官网》

2012   Hannah Kagan-Moore
           "Portrait of the King:  Gabrielle d'Estrees and One of Her
           Sisters, the Duchesse d'Villars, in the Bath as Self-
           Fashioning at Sixteenth-Century Fontainebleu"

2011    David Serotte
            "Sugarcoated Subversion:  Drag and Disindentification
            In Kalup Linzy's Lollypop"

2010 Linnea Kniaz
            "Josef Alber's Photographs:  A Contradictory
             Representation of Bauhaus Architectural Ideals"     

2009   Emily Schenkein
           "Penetrating Gazes:  The Paradox of Andreas 
            Vesalius's De Humani Corporis Farbica"

2008年艾米丽·琼斯
           "The Other Side of the Tracks:  Twentieth-Century
            Urban Planning and Pittsburgh's North Side"

2007劳拉·贝希尔斯
           "The Politics of Pain: Meanings of Masochism in
            Contemporary Chinese Art"

2006    Caitlin Woolsey

2005   Christina Bruno
           "Appease, Defeat, Adore:  Interpreting Sanchi Stupa 2"

2004   No prize awarded.

2003年莫莉·波特
           "Images of a Queen:  The Adaptive Iconography of
            伊丽莎白1”

2002   Elisabeth Manzi
           "Ernest Fenollosa and Arthur Wesley Dow:
           Orientialists Ahead of Their Time"

2001 Ruth Battaglia
           "Transforming Mariana:  John Everett Millais, 
           Tennyson, and the Victorian Woman"

2000劳拉·伯恩斯

1999年本·阿弗莱克

1998年劳伦·克诺夫
           “我唯一的否定”

1997    Emily Greenwood

1996莎拉·博伊德